SO MUCH SADNESS FROM SO MANY THINGS (THEY / THEM)
Tanta tristeza de tantas cosas (elle)
Gisselle Girón Casas
continue leyendo aquí:
https://drive.google.com/file/d/1nW77AMseFOa_Ip-2PupVRCq3ulI0SJiK/view?usp=sharing
My Melody, es una coneja que usa un gorro rosado. Vive con sus amiges3 en el bosque de Mariland. Siempre lleva puesto el gorro para cubrir o cuidar sus dos orejas. My Melody lo lleva siempre consigo, es algo como mágico, como si el gorro la pudiera proteger de algo, o quizá como aquella cosa que atesoramos y usamos para sentirnos segures. Quizás sea lo mismo para lxs dos, para ella y para su gorro.
El personaje de My Melody pertenece al grupo Sanrio3 una empresa japonesa que creo a personajes como Hello Kitty hacia 1975.
Ya no puedo escribir tu nombre
porque, aunque sepa tu nombre,
no sé quién eres,
no te conozco
ni tú me conoces a mí.
Yo no conozco a My Melody, alguien me la presentó hace un año atrás. Se percibe como alguien suave, tierno y extraño. No la conozco, pero de alguna manera me he sentido conmovida ante ella. Vi un par de capítulos del dibujo animado en YouTube, y me conmovía mucho la ternura del personaje. Mientras la veía sentía que era algo que quería poseer y cuidar.
Cuando pienso en My Melody pienso en todas las veces que la he visto dibujada miles de veces en distintas paredes de distintos lugares o reinterpretada en distintos productos para diferentes ocasiones: fiestas infantiles, grafitis, medias, stickers.
Réplicas de My Melody que varían su diseño original, para no tener problemas con la patente. Así, de miles de maneras My Melody es reinterpretada, copiada por la industria comercial (…)
marisabel<3
continuar leyendo aquí:
https://drive.google.com/file/d/1-Qqw70nyTRqdKG4_jbgd3EeuZRcZhYKK/view?usp=drive_link
SO MUCH SADNESS FROM SO MANY THINGS (THEY / THEM)
Tanta tristeza de tantas cosas (elle)
Marisabel has always approached life and work as a fervent admirer. Their
infinite curiosity and fascination with artistic and cultural phenomena have
led them, throughout their career, to embody various trades and professions:
filmmaker, sculptor, writer, office worker, radio host, merchant, and, in
this exhibition, tailor and dressmaker. In So much sadness, from so many
things (they/them), Marisabel presents a runway show in which the models are
rabbits, and the paraphernalia surrounding them introduces us to a leporine
universe that places them simultaneously under the categories of mammals,
pets, cute commercial products, and contemporary imagery of tenderness.
As
often happens in many series of work from the Marisabelian galaxy, the main
character exists across multiple thresholds, leaping between categories of
knowledge and aesthetic universes. In this case, quite literally, since the
character is a rabbit. This is how Marisabel turns to My Melody, the
character created by the Japanese entertainment company Sanrio, which
operates both as a fashion icon and as an ontological question.
Marisabel
surrenders to this figure because, like them, My Melody has chosen a hat as
a protective uniform and as a marker of a distinctive style. My Melody wears
a version of the Gorro Esponja Espacial (2019), perhaps the first fashion
design in Marisabel's artistic career. My Melody's, however, is not only
round like Marisabel's hat-helmets, but also takes the shape of her upright
ears. But then, what is "My Melody"? My Melody is a rabbit-shaped character.
And what is a rabbit? A rabbit is an animal, a pet, a drawing, a character,
a portal into cuteness; it is part of a herd, inhabits a burrow, and can
also be a fashion emblem. And a rabbit, does it hop or leap? Does it live in
a herd or a nest?
Exploring My Melody's multiple layers through the
repetition of the image and its dematerialisation is one of the
characteristic tropes of Marisabel's practice. To understand this gesture,
it is important to remember one of the mantras of this universe: if you have
trouble understanding a concept, repeat it. Bis, bis. And in repetition, you
will find answers.
For this season, Marisabel proposes denim as both
material and silhouette, a collective alternative to the exhausting
emotional labour of moving through everyday life as beings who feel
everything in a world where everything seems to be constantly burning and
fading away. Taking on the role of a tailor constitutes, in itself, a
gesture that alludes both to the family legacy connected to the textile
trade and sewing, and to a tribute to dressmaking and to fashion, to the
power of editing and understanding the making of clothing as an endeavour
towards protection safeguarding (…)
Gisselle Girón Casas
Continue reading here:
https://drive.google.com/file/d/1q2Sh7OGLcXjhEyZV2vZ70pHIQEMY6E2J/view?usp=drive_link
But what does it mean to love a database?
To love a boy who is a flower
that is a girl who is a cat that is a train?
Cute accelerationism1
Dear Melody,
What Sanrio character are you?2 None, I am creepy and cute.
My Melody is a bunny who wears a pink hood. She lives with her friends3 in the Mariland forest. She always wears the hood to cover or protect her two ears. My Melody always carries it with her, it’s something like magic, as if the hood could protect her from something, or maybe like that thing we treasure and wear to feel safe. Maybe it’s the same for both, her and her hood.
The character of My Melody belongs to the Sanrio group3, a Japanese company that created characters like Hello Kitty in 1975.
I can’t write your name
because, I do know your name,
but I don’t know who you are
I don’t know you,
and you don’t know me
I don’t know My Melody, someone introduced her to me a year ago. She comes across as soft, sweet, and strange. I don’t know her, but somehow, I’ve felt moved by her. I watched a few episodes of the cartoon on YouTube, and I was really touched by how tender the character is. As I watched, I felt it was something I wanted to possess and take care of.
When I think of My Melody, I think of all the times I’ve seen her drawn thousands of times on different walls in different places or reinterpreted on various products for different occasions: children’s parties, graffiti, socks, stickers.
My Melody replicas that alter the original design to avoid patent issues. In this way, My Melody is reinterpreted thousands of times, copied by the commercial industry and by humans (…)
marisabel <3
Continue reading here:
https://drive.google.com/file/d/1sEPDVcjjibTQRA7A9tH8chao3wccCx4m/view?usp=sharing

Project carried out at The Residency Jan Van Eyck Academy, 2025.
They/ them bunnywalk, 2026.
fabric bunnies, denim, brass, aluminum.
Heart-shaped base made of galvanized brass.
290cm x 290cm x 80cm
View at Mueve Galeria, Lima, PE.








Im very cold, 2025.
Aluminum, animation, 7” screen, Raspberry Pi 5,
speakers, 40cm x 60cm x 55cm. Music by Aster
View at Mueve Galería, PE.



I dont know you and you dont know me. 2025.
Fabric, metal frame, plasma-cut aluminum and brass.
130cm x 90cm x 50cm. View at Mueve Galería, PE.




my melo´ IV, 2025.
Tempera on cotton paper, 23 x 31cm.

my melo´ VII, II, 2025.
Tempera on cotton paper, 23 x 31cm.

My melo´s hood, 2025,
Plush toy, fabric, stockings, heart pins, heart key chains, band-aids, cat hair,
gold nails.160cm x 160cm x 3cm.
View at Mueve Galería, PE


Love Letter, 2026.
View at Mueve Galería, PE.

They/ them bunnywalk, 2025.
Fourteen bunnys, fabric, denim, brass, aluminum,
variable measurements, studio View, Lima, PE.











